Conservation and Light Terms: Lux, Lignin, Overmat, Ply


16 terms from the live guides on light dose, mounting and mat board: lux, lux-hour, overmat, float mount, hinges, lignin, acid-free, ply and more.

Short answer: framing and light guidance uses words that look alike and mean different things, such as acid-free and lignin-free. This page defines 16 of them as the live guides report them, from the Library of Congress, NEDCC, the Canadian Conservation Institute and others, so a brief or a board specification can say exactly what it means. The size terms, such as rabbet and sight size, are in the frame size and profile terms.

Sixteen terms by areaBar chart of sixteen terms: light 2, mounting 6, mat board 8.Light2Mounting6Mat board8
Sixteen terms by area
TermMeaningWhere it applies
LuxLux measures how intense the light is on a surface.Light
Lux-hour (lx h)One lux of light falling on a surface for one hour. Total light dose is lux multiplied by hours.Light
Overmat (window mat)A board with an opening cut in it that sits over the print, its edges overlapping the sheet. The Canadian Conservation Institute says the overlap should be at least 2 mm to 4 mm.Mounting
Float mountThe whole sheet sits inside the opening, with its edges visible. NEDCC recommends folded hinges (v-hinges) for float mounts, and the Library of Congress says overmatting protects more than floating.Mounting
V-hinge (folded hinge)A folded hinge recommended by NEDCC for float mounts.Mounting
T-hingeA hinge the Canadian Conservation Institute calls the strongest and most versatile for standard matting; it says tabs should not be narrower than 1.5 cm.Mounting
Wheat starch pasteThe paste the Library of Congress and NEDCC name for Japanese tissue hinges; the Canadian Conservation Institute recommends it for hinging.Mounting
Mounting corners and stripsNon-adhesive supports that hold a print without hinges; the Library of Congress prefers non-adhesive hinging whenever possible. NEDCC calls self-adhesive photo corners problematic.Mounting
LigninA component of plant cell walls. A conservation glossary cited on our guide describes it as unstable, light sensitive and breaking down into acid compounds as it ages.Board
Lignin-free matboardMatboard made from 100% cotton rag, or from chemically purified wood pulp from which the lignin has been removed, as the Library of Congress lists it.Board
Acid-freeUsually taken to mean a pH of 7 or above, which may only have been true at manufacture. Acid-free is not the same as lignin-free.Board
Cotton rag boardMat board made from cotton rag fibre. NEDCC recommends 100% cotton rag mat board for every window mat and for every layer of a layered mat.Board
Buffered and unbuffered matboardMost mat boards are buffered with an alkaline material such as calcium carbonate, according to NEDCC; unbuffered boards are available for sensitive photographic materials such as cyanotypes.Board
PlyThe unit in which the guidance states mat board thickness. The Library of Congress names 4-ply as a minimum and the Canadian Conservation Institute recommends 4-ply; NEDCC says thicker mats are required for large sheets.Board
Photographic Activity Test (PAT)A test the Library of Congress asks matting board for photographs to pass.Board
Alpha-celluloseA purified polymer derived from wood pulp, according to one supplier glossary, which adds that products using it are not automatically acid-free.Board

Back to the main private label glossary.

Sources: lux-hours and how light dose adds up on a wall [S36]; conservation matboard and mounting for framed prints [S38]; overmat vs floating mount [S41]; hinges, corners and adhesives for mounting a print [S42]; lignin-free and alpha-cellulose in matboard [S43]. As of 2026-11-12. Terms are typical and are confirmed in your written quote.